I’ll also use an aperture that doesn’t blur it too much. If a clear background is key, I may add light to match my subject so they and the background match in tone. it helps to understand the person's business, or maybe it's just a cool space). The first thing you need to assess is if having a super clear background adds value (e.g. The first thing I think about with this is, 'do I want the background to be clear and does it add to the story we are trying to tell? Would it be better to just have a sense of the space but without seeing any real details?' Wherever you are making the portrait, this is the existing background. There are three main categories of backgrounds for headshots and professional portraits: the environment that a person is photographed in, an artificial background placed behind the person, and a background added later in post-production. There are as many ways to do things in photography as there are photographers, and what works for you will vary, but let me share my approach.
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